Monday, November 29, 2010

Hi, I'm a scriptwriter in training and although I'm learning to write for TV or Films, I have been reading comics for some time now and I am very interesting in writing comic books. Where do you thing I should start my training from? Some websites, books?

Well, unfortunately there really aren't that many books on writing specifically for comics:
The DC Comics Guide to Writing Comics [Paperback] by Denny O'Neill
Writing for Comics with Peter David (Writing for Comics & Graphic Novels)

Writing for comics by Alan Moore
http://www.avatarpress.com/writingforcomics/
http://mysite.verizon.net/joe_edkin/wfcb_writing.html

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What was your first car?

A 4 door champagne 94' Nissan Sentra, that I ended up totaling when I was driving through New Mexico in 2001.

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Tuesday, November 23, 2010

Do you think are the top 5 skills and artist needs to develop strong draftsmanship? -Nate

Well strong draftsmanship depends on the look your going for in your work. Styles vary so much that it's difficult to say "well, you need to work on this or that". but for comics the keys are smooth storytelling.
1.Being able to move the "camera" , the eye of the reader around the page .
2.A good understanding of anatomy.
3. A good command of perspective.
4. Being able to make your characters "act" by giving them a range of emotions facially and a good command of body language.
5.Versatility, the ability to draw any type of comic in any genre.

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Tuesday, November 16, 2010

Wednesday, November 10, 2010

Have you ever or are you still considering a creator owned project?

I've done creator owned before with Venture for Image. i have several creator owned projects I'd like to do and will at some point.

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what would it take to get you to draw the LSH after Cinar goes crazy and leaves the book?

Someone asking me to do it.

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How is the best way for a writer to get someone to read their stuff? An artist can just show up at a comicon to show their stuff around but a writer...

The best way i've found is to actually have something in print that the editor can read later. Even if it's just something you publish yourself in black and white, I've found editors are more receptive to reading a printed comic from a new writer. You're never going to get them to read it at a convention, sorry. It's not malicious it's just that there's a lot going on at conventions.
With writing it's about cultivating a relationship with an editor and that takes time.

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About Me

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One of the most popular and prolific pencillers in the comic book industry, Jamal Igle is an award winning artist and writer. Best known for his run on Supergirl with writer Sterling Gates, Jamal has been a professional jack of all trades for nearly 20 years, drawing every title from Action Comics to Zatanna for DC Comics. A former comics retailer, Editor for several small press companies including TV Comics, Airwave Comics and Destination Entertainment. Former Junior Art Director and Marketing rep in the Advertising and publishing arenas. Jamal's clients include Marvel Comics, image Comics, Dark Angel productions/ Simmons and Company, Devil's Due Studios, Crusade Entertainment, Walt Disney inc., Sony Television, CBS Television and Scholastic Entertainment. Jamal has also worked as a conceptional artist for the Toy and gaming industries as well as film and television. Jamal is married to his beautiful, and much smarter wife Karine.They're also the proud parents of an extremely cute child named Catherine and a Cat named Loustique