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Raging Bullets takes aim at The Ray!

Sean Whelan and Jim "Sensei of the What-Not" Segulin give a really nice and in depth review of issue one ofn their podcast "Raging Bullets"
Glad you guys liked it so much.
You can check their show at here.

From the Vaults: War of The Supermen #1

There's a lot to be said about War of the Supermen. Whether you liked it or hated it, It did have an impact for awhile with Superman fans.

War of the Supermen (or The 100 minute war) as DC described it was supposed to read in real time, each issue taking place over 20 minutes of time. It was a massive undertaking. For myself, it was daunting. I wasn't supposed to be the artist of Issue #1( Issue #0 was drawn by Eddy Barrows), it was supposed to be Aaron Lopresti. I was scheduled to draw issue  #3 because i had scheduled a family vacation to Orlando. Suddenly, I get a call from Matt Idelson, saying they needed me to draw the first issue.

Are you fucking kidding me???

As usual I, I knuckled down and found a way, drawing the first half before i went on vacation for 10 days ,coming home and finishing the book at warp speed so that it shipped on time. 

Which wasn't easy...

This page alone took two days to finish.

It was  also my first real opportunity to draw Superman, I mean really draw Superman, So I think i made myself much more nervous that I probably should have.

At the same time we were putting a very definitive ending on the New Krypton story of Alura and Kara's rather rocky relationship.

It was also a rather finite ending for Reactron as well, going out like the son of a bitch he was. I think it's a really strong scene. In the end, no matter what their differences, Alura did what any good parent would do and protecter her daughter at the cost of her life.

I wish I hadn't draw such a derp face on Superman in panel 4

My Kirby moment.

one of things you might notice is that the shape of the rocks on this page were changed in the inks. While I was on vacation, I get an email  from Idelson, again. he thought the original drawing I did made the asteroids look too much like potatoes. So he wanted something more crystal like. So I told him to let jon Sibal change them. I did a quick sketch of what they should look like, and had to scramble to find a Kinkos so that I could scan and email the sketch to Jon.

The other thing you'll notice is the change in the last panel from the pencils. Apparently DC frowns on crotch shots of the Junk of Steel.

James Robinson, one of my all time favorite comic book writers wrote this sequence and when I sent him the pencils, he paid me the best compliment I could have gotten:

"This is exactly how I saw it in my head"

The space fleet were laid out using Pete woods designs in Sketchup and then hand drawn.

Layouts for War of the Supermen #1

So that's the end of "From the Vaults" this week. I'm going to take tomorrow off from posting and enjoy the NewYears Eve celebrations. I have a big announcement coming on Monday, and from the Vaults will continue on Tuesday, January 3rd with Supergirl # 53

Happy New Year.

From the vaults. Worlds's Finest # 3

World's Finest #3... Man, what a fun issue to draw. The first official team-up between Supergirl and the former Spoiler/Robin turned Batgirl, Stephanie Brown. How this came about was because of whatever reason the original series artist Julian Lopez didn't get past issue 1, so the editors got different artists to finish the series. The issue preceding mine was drawn by Ramon Bachs and issue after me by the awesome Phil Noto. Sterling called me up as I was finishing Supergirl #50 and asked me if I could do it. Immediately said yes and we were off to the races!

The issue was inked by Jon Sibal  and Jack Purcell and colored by one of my favorite colorists, Brian Miller.

The "Hammersmith Tower" which was the current home of  "Linda" and Lana Lang was based on the Williamsburg bank building in Brooklyn, New York. Now known as "1 Hanson Place" a luxury condominium, it's something I'm familiar with because I can see it from my apartment.

I love this page because it was the first time I've ever drawn Barbara Gordon, then known as Oracle. It was also another opportunity to draw the Batcave, which is always fun. Kara's the typical messy teenager.

 

Okay, I got a little bit of crap in some quarters for this scene, mostly because some people considered it to be fan service. Especially the fact that I chose to have Catwoman's suit zipped open. I'll cop to it, because at that point I really didn't have many opportunities to draw sexy women. I did try to minimize it. It's also a well established visual cue. If you go back and read Catwoman, the only time she has the suit completely zipped is when she's in action.

 

People were also a little miffed that Stephanie and Kara seemed to just leave Selina behind. Here's the thing... there was an entire sequence of dialogue that was cut from page 9

Supergirl: Think We should have freed her?

Batgirl: I would have once upon a time. We used to be friends. But I've heard about what she's been doing for the last few months..

Batgirl: ...And I don't like it.

I don't know why it was cut, but that's the nature of comics. I thought it fleshed things out a bit for new readers but it may have been too much expository information,

This sequence was a good bonding moment for the girls. Both having been trained by Batman and missing their then, thought-for-dead mentor.

I got to draw a giant robot.

I have the best job in the world.

And you can't have a World's Finest series without Superman.

layouts for World's Finest #3

Tomorrow: I don' blowed up New Krypton!